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{"id":975,"date":"2020-03-05T16:19:29","date_gmt":"2020-03-05T13:19:29","guid":{"rendered":"http:\/\/ijmcl.aydin.edu.tr\/?page_id=975"},"modified":"2020-03-05T16:29:19","modified_gmt":"2020-03-05T13:29:19","slug":"2018-haziran-cilt-4-sayi-1","status":"publish","type":"page","link":"https:\/\/ijmcl.aydin.edu.tr\/tr\/2018-haziran-cilt-4-sayi-1\/","title":{"rendered":"2018 HAZ\u0130RAN C\u0130LT 4 SAYI 1"},"content":{"rendered":"<p style=\"text-align: center;\"><strong>\u0130STANBUL AYDIN \u00dcN\u0130VERS\u0130TES\u0130<\/strong><\/p>\n<p style=\"text-align: center;\"><strong>INTERNATIONAL JOURNAL OF MEDIA CULTURE AND LITERATURE<\/strong><\/p>\n<p class=\"paragraph_style_2\" style=\"text-align: center;\"><strong>IJMCL HAZ\u0130RAN 2018<\/strong><\/p>\n<p class=\"paragraph_style_2\" style=\"text-align: center;\"><strong>ISSN:<\/strong> 2149-5475<\/p>\n<p class=\"paragraph_style_2\" style=\"text-align: center;\"><strong>e-ISSN:<\/strong> 2667-8403<\/p>\n<p class=\"paragraph_style_2\" style=\"text-align: center;\"><strong>Cilt:<\/strong>\u00a04 \u00a0&#8211;\u00a0 <strong>Say\u0131:<\/strong>\u00a01<\/p>\n<div id=\"id13\" class=\"style_SkipStroke_1 shape-with-text\">\n<div class=\"text-content graphic_textbox_layout_style_default_External_202_121\">\n<div class=\"graphic_textbox_layout_style_default\">\n<p class=\"paragraph_style_2\" style=\"text-align: center;\"><strong>DOI:<\/strong> 10.17932\/IAU.IJMCL.2015.014<\/p>\n<p style=\"text-align: center;\"><a href=\"\/wp-content\/uploads\/2020\/03\/10.17932IAU.IJMCL_.2015.0142018.104.pdf\" class=\"su-button su-button-style-default\" style=\"color:#FFFFFF;background-color:#2D89EF;border-color:#246ec0;border-radius:5px;-moz-border-radius:5px;-webkit-border-radius:5px\" target=\"_self\"><span style=\"color:#FFFFFF;padding:6px 16px;font-size:13px;line-height:20px;border-color:#6cadf4;border-radius:5px;-moz-border-radius:5px;-webkit-border-radius:5px;text-shadow:none;-moz-text-shadow:none;-webkit-text-shadow:none\"><i class=\"sui sui-file-pdf-o\" style=\"font-size:13px;color:#FFFFFF\"><\/i> IJMCL Haziran 2018<\/span><\/a>\n<p style=\"text-align: center;\"><a href=\"\/wp-content\/uploads\/2020\/03\/edit\u00f6r-mesaj\u0131-104.pdf\" class=\"su-button su-button-style-default\" style=\"color:#FFFFFF;background-color:#2D89EF;border-color:#246ec0;border-radius:5px;-moz-border-radius:5px;-webkit-border-radius:5px\" target=\"_self\"><span style=\"color:#FFFFFF;padding:6px 16px;font-size:13px;line-height:20px;border-color:#6cadf4;border-radius:5px;-moz-border-radius:5px;-webkit-border-radius:5px;text-shadow:none;-moz-text-shadow:none;-webkit-text-shadow:none\"><i class=\"sui sui-file-pdf-o\" style=\"font-size:13px;color:#FFFFFF\"><\/i> Edit\u00f6r\u00fcn Mesaj\u0131<\/span><\/a>\n<\/div>\n<\/div>\n<\/div>\n<p style=\"text-align: center;\"><strong><br \/>\nAra\u015ft\u0131rma Makaleleri<\/strong><\/p>\n<div class=\"su-table su-table-responsive su-table-alternate\">\n<table class=\"table\">\n<tbody>\n<tr>\n<td><strong> Immortality Through Art<\/strong><\/p>\n<p>Beste SA\u011eLAM<\/td>\n<td><a href=\"\/wp-content\/uploads\/2020\/03\/ijmcl_v4i01001.pdf\" class=\"su-button su-button-style-default\" style=\"color:#FFFFFF;background-color:#2D89EF;border-color:#246ec0;border-radius:5px;-moz-border-radius:5px;-webkit-border-radius:5px\" target=\"_self\"><span style=\"color:#FFFFFF;padding:6px 16px;font-size:13px;line-height:20px;border-color:#6cadf4;border-radius:5px;-moz-border-radius:5px;-webkit-border-radius:5px;text-shadow:none;-moz-text-shadow:none;-webkit-text-shadow:none\"><i class=\"sui sui-file-pdf-o\" style=\"font-size:13px;color:#FFFFFF\"><\/i> PDF<\/span><\/a><\/td>\n<\/tr>\n<tr>\n<td><strong> Angela Carter\u2019s Deconstruction of Traditional Tales<\/strong><\/p>\n<p>Asena ABBASO\u011eLU<\/td>\n<td><a href=\"\/wp-content\/uploads\/2020\/03\/ijmcl_v4i01002.pdf\" class=\"su-button su-button-style-default\" style=\"color:#FFFFFF;background-color:#2D89EF;border-color:#246ec0;border-radius:5px;-moz-border-radius:5px;-webkit-border-radius:5px\" target=\"_self\"><span style=\"color:#FFFFFF;padding:6px 16px;font-size:13px;line-height:20px;border-color:#6cadf4;border-radius:5px;-moz-border-radius:5px;-webkit-border-radius:5px;text-shadow:none;-moz-text-shadow:none;-webkit-text-shadow:none\"><i class=\"sui sui-file-pdf-o\" style=\"font-size:13px;color:#FFFFFF\"><\/i> PDF<\/span><\/a><\/td>\n<\/tr>\n<tr>\n<td><strong>The Enchantment of Goblin Market<\/strong><\/p>\n<p>Fulya \u015e\u0130RKET<\/p>\n<p>Gillian Mary Elizabeth ALBAN<\/td>\n<td><a href=\"\/wp-content\/uploads\/2020\/03\/ijmcl_v4i01003.pdf\" class=\"su-button su-button-style-default\" style=\"color:#FFFFFF;background-color:#2D89EF;border-color:#246ec0;border-radius:5px;-moz-border-radius:5px;-webkit-border-radius:5px\" target=\"_self\"><span style=\"color:#FFFFFF;padding:6px 16px;font-size:13px;line-height:20px;border-color:#6cadf4;border-radius:5px;-moz-border-radius:5px;-webkit-border-radius:5px;text-shadow:none;-moz-text-shadow:none;-webkit-text-shadow:none\"><i class=\"sui sui-file-pdf-o\" style=\"font-size:13px;color:#FFFFFF\"><\/i> PDF<\/span><\/a><\/td>\n<\/tr>\n<tr>\n<td><strong>The Importance of Placing Digital Media in Education\u00a0<\/strong><\/p>\n<p>Erdem KO\u00c7<\/td>\n<td><a href=\"\/wp-content\/uploads\/2020\/03\/ijmcl_v4i01004.pdf\" class=\"su-button su-button-style-default\" style=\"color:#FFFFFF;background-color:#2D89EF;border-color:#246ec0;border-radius:5px;-moz-border-radius:5px;-webkit-border-radius:5px\" target=\"_self\"><span style=\"color:#FFFFFF;padding:6px 16px;font-size:13px;line-height:20px;border-color:#6cadf4;border-radius:5px;-moz-border-radius:5px;-webkit-border-radius:5px;text-shadow:none;-moz-text-shadow:none;-webkit-text-shadow:none\"><i class=\"sui sui-file-pdf-o\" style=\"font-size:13px;color:#FFFFFF\"><\/i> PDF<\/span><\/a><\/td>\n<\/tr>\n<tr>\n<td><strong> Stephen Krashen\u2019in Duygusal Filtre ve Girdi Hipotezleri ve \u00d6\u011frencilerin \u0130\u00e7sel G\u00fcd\u00fcleri ile \u0130ngilizce Derslerinde Dijital Oyunlar\u0131n Kullan\u0131m\u0131 Aras\u0131ndaki \u0130li\u015fkinin Ara\u015ft\u0131r\u0131lmas\u0131\u00a0<\/strong><\/p>\n<p>Zeyno B\u0130NG\u00d6R<\/p>\n<p>Necmiye KARATA\u015e<\/td>\n<td><a href=\"\/wp-content\/uploads\/2020\/03\/ijmcl_v4i01005.pdf\" class=\"su-button su-button-style-default\" style=\"color:#FFFFFF;background-color:#2D89EF;border-color:#246ec0;border-radius:5px;-moz-border-radius:5px;-webkit-border-radius:5px\" target=\"_self\"><span style=\"color:#FFFFFF;padding:6px 16px;font-size:13px;line-height:20px;border-color:#6cadf4;border-radius:5px;-moz-border-radius:5px;-webkit-border-radius:5px;text-shadow:none;-moz-text-shadow:none;-webkit-text-shadow:none\"><i class=\"sui sui-file-pdf-o\" style=\"font-size:13px;color:#FFFFFF\"><\/i> PDF<\/span><\/a><\/td>\n<\/tr>\n<tr>\n<td><strong>Translingual Approach to Teaching Writing and Corrective Feedback<\/strong><\/p>\n<p>Demet Y\u0130\u011e\u0130TB\u0130LEK<\/td>\n<td><a href=\"\/wp-content\/uploads\/2020\/03\/ijmcl_v4i01006.pdf\" class=\"su-button su-button-style-default\" style=\"color:#FFFFFF;background-color:#2D89EF;border-color:#246ec0;border-radius:5px;-moz-border-radius:5px;-webkit-border-radius:5px\" target=\"_self\"><span style=\"color:#FFFFFF;padding:6px 16px;font-size:13px;line-height:20px;border-color:#6cadf4;border-radius:5px;-moz-border-radius:5px;-webkit-border-radius:5px;text-shadow:none;-moz-text-shadow:none;-webkit-text-shadow:none\"><i class=\"sui sui-file-pdf-o\" style=\"font-size:13px;color:#FFFFFF\"><\/i> PDF<\/span><\/a><\/td>\n<\/tr>\n<tr>\n<td><strong>Primary Symbols in Keats\u2019 \u201cLa Belle Dame sans Merci\u201d<\/strong><\/p>\n<p>Tu\u011f\u00e7e KAPTAN<\/td>\n<td><a href=\"\/wp-content\/uploads\/2020\/03\/ijmcl_v4i01007.pdf\" class=\"su-button su-button-style-default\" style=\"color:#FFFFFF;background-color:#2D89EF;border-color:#246ec0;border-radius:5px;-moz-border-radius:5px;-webkit-border-radius:5px\" target=\"_self\"><span style=\"color:#FFFFFF;padding:6px 16px;font-size:13px;line-height:20px;border-color:#6cadf4;border-radius:5px;-moz-border-radius:5px;-webkit-border-radius:5px;text-shadow:none;-moz-text-shadow:none;-webkit-text-shadow:none\"><i class=\"sui sui-file-pdf-o\" style=\"font-size:13px;color:#FFFFFF\"><\/i> PDF<\/span><\/a><\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>\u0130STANBUL AYDIN \u00dcN\u0130VERS\u0130TES\u0130 INTERNATIONAL JOURNAL OF MEDIA CULTURE AND LITERATURE IJMCL HAZ\u0130RAN 2018 ISSN: 2149-5475 e-ISSN:&#8230;<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/ijmcl.aydin.edu.tr\/tr\/wp-json\/wp\/v2\/pages\/975"}],"collection":[{"href":"https:\/\/ijmcl.aydin.edu.tr\/tr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ijmcl.aydin.edu.tr\/tr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ijmcl.aydin.edu.tr\/tr\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/ijmcl.aydin.edu.tr\/tr\/wp-json\/wp\/v2\/comments?post=975"}],"version-history":[{"count":5,"href":"https:\/\/ijmcl.aydin.edu.tr\/tr\/wp-json\/wp\/v2\/pages\/975\/revisions"}],"predecessor-version":[{"id":989,"href":"https:\/\/ijmcl.aydin.edu.tr\/tr\/wp-json\/wp\/v2\/pages\/975\/revisions\/989"}],"wp:attachment":[{"href":"https:\/\/ijmcl.aydin.edu.tr\/tr\/wp-json\/wp\/v2\/media?parent=975"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}