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{"id":1003,"date":"2020-03-06T09:14:30","date_gmt":"2020-03-06T06:14:30","guid":{"rendered":"http:\/\/ijmcl.aydin.edu.tr\/?page_id=1003"},"modified":"2020-03-06T09:27:42","modified_gmt":"2020-03-06T06:27:42","slug":"2019-haziran-cilt-5-sayi-1","status":"publish","type":"page","link":"https:\/\/ijmcl.aydin.edu.tr\/en\/2019-haziran-cilt-5-sayi-1\/","title":{"rendered":"2019 JUNE VOLUME 5 ISSUE 1"},"content":{"rendered":"<p style=\"text-align: center;\"><strong>\u0130STANBUL AYDIN UNIVERSITY<\/strong><\/p>\n<p style=\"text-align: center;\"><strong>INTERNATIONAL JOURNAL OF MEDIA CULTURE AND LITERATURE<\/strong><\/p>\n<p class=\"paragraph_style_2\" style=\"text-align: center;\"><strong>IJMCL JUNE 2019<\/strong><\/p>\n<p class=\"paragraph_style_2\" style=\"text-align: center;\"><strong>ISSN:<\/strong> 2149-5475<\/p>\n<p class=\"paragraph_style_2\" style=\"text-align: center;\"><strong>e-ISSN:<\/strong> 2667-8403<\/p>\n<p class=\"paragraph_style_2\" style=\"text-align: center;\"><strong>Volume:<\/strong>\u00a05 \u00a0&#8211;\u00a0 <strong>Issue:<\/strong>\u00a01<\/p>\n<div id=\"id13\" class=\"style_SkipStroke_1 shape-with-text\">\n<div class=\"text-content graphic_textbox_layout_style_default_External_202_121\">\n<div class=\"graphic_textbox_layout_style_default\">\n<p class=\"paragraph_style_2\" style=\"text-align: center;\"><strong>DOI:<\/strong> 10.17932\/IAU.IJMCL.2015.014<\/p>\n<p style=\"text-align: center;\"><a href=\"\/wp-content\/uploads\/2020\/03\/10.17932IAU.IJMCL_.2015.0142019.501.pdf\" class=\"su-button su-button-style-default\" style=\"color:#FFFFFF;background-color:#2D89EF;border-color:#246ec0;border-radius:5px;-moz-border-radius:5px;-webkit-border-radius:5px\" target=\"_self\"><span style=\"color:#FFFFFF;padding:6px 16px;font-size:13px;line-height:20px;border-color:#6cadf4;border-radius:5px;-moz-border-radius:5px;-webkit-border-radius:5px;text-shadow:none;-moz-text-shadow:none;-webkit-text-shadow:none\"><i class=\"sui sui-file-pdf-o\" style=\"font-size:13px;color:#FFFFFF\"><\/i> IJMCL June 2019<\/span><\/a>\n<p style=\"text-align: center;\"><a href=\"\/wp-content\/uploads\/2020\/03\/edit\u00f6r\u00fcn-mesaj\u0131-501.pdf\" class=\"su-button su-button-style-default\" style=\"color:#FFFFFF;background-color:#2D89EF;border-color:#246ec0;border-radius:5px;-moz-border-radius:5px;-webkit-border-radius:5px\" target=\"_self\"><span style=\"color:#FFFFFF;padding:6px 16px;font-size:13px;line-height:20px;border-color:#6cadf4;border-radius:5px;-moz-border-radius:5px;-webkit-border-radius:5px;text-shadow:none;-moz-text-shadow:none;-webkit-text-shadow:none\"><i class=\"sui sui-file-pdf-o\" style=\"font-size:13px;color:#FFFFFF\"><\/i> Editor's Message<\/span><\/a>\n<\/div>\n<\/div>\n<\/div>\n<p style=\"text-align: center;\"><strong><br \/>\nResearch Articles<\/strong><\/p>\n<div class=\"su-table su-table-responsive su-table-alternate\">\n<table class=\"table\">\n<tbody>\n<tr>\n<td><strong>Charles Dickens and Women Figures<\/strong><\/p>\n<p>Tuba \u015eENEL \u0130NCE<\/td>\n<td><a href=\"\/wp-content\/uploads\/2020\/03\/ijmcl_v5i01001.pdf\" class=\"su-button su-button-style-default\" style=\"color:#FFFFFF;background-color:#2D89EF;border-color:#246ec0;border-radius:5px;-moz-border-radius:5px;-webkit-border-radius:5px\" target=\"_self\"><span style=\"color:#FFFFFF;padding:6px 16px;font-size:13px;line-height:20px;border-color:#6cadf4;border-radius:5px;-moz-border-radius:5px;-webkit-border-radius:5px;text-shadow:none;-moz-text-shadow:none;-webkit-text-shadow:none\"><i class=\"sui sui-file-pdf-o\" style=\"font-size:13px;color:#FFFFFF\"><\/i> PDF<\/span><\/a><\/td>\n<\/tr>\n<tr>\n<td><strong> Structures of the World; Human Rights and Equality through Archetypes in Lord of the Flies<\/strong><\/p>\n<p>Umut BARUTLU<\/td>\n<td><a href=\"\/wp-content\/uploads\/2020\/03\/ijmcl_v5i01002.pdf\" class=\"su-button su-button-style-default\" style=\"color:#FFFFFF;background-color:#2D89EF;border-color:#246ec0;border-radius:5px;-moz-border-radius:5px;-webkit-border-radius:5px\" target=\"_self\"><span style=\"color:#FFFFFF;padding:6px 16px;font-size:13px;line-height:20px;border-color:#6cadf4;border-radius:5px;-moz-border-radius:5px;-webkit-border-radius:5px;text-shadow:none;-moz-text-shadow:none;-webkit-text-shadow:none\"><i class=\"sui sui-file-pdf-o\" style=\"font-size:13px;color:#FFFFFF\"><\/i> PDF<\/span><\/a><\/td>\n<\/tr>\n<tr>\n<td><strong>An Investigation Into The Factors That Lead To Speaking Anxiety Among Efl Learners<\/strong><\/p>\n<p>Naeela ELSHARKAWY<\/td>\n<td><a href=\"\/wp-content\/uploads\/2020\/03\/ijmcl_v5i01003.pdf\" class=\"su-button su-button-style-default\" style=\"color:#FFFFFF;background-color:#2D89EF;border-color:#246ec0;border-radius:5px;-moz-border-radius:5px;-webkit-border-radius:5px\" target=\"_self\"><span style=\"color:#FFFFFF;padding:6px 16px;font-size:13px;line-height:20px;border-color:#6cadf4;border-radius:5px;-moz-border-radius:5px;-webkit-border-radius:5px;text-shadow:none;-moz-text-shadow:none;-webkit-text-shadow:none\"><i class=\"sui sui-file-pdf-o\" style=\"font-size:13px;color:#FFFFFF\"><\/i> PDF<\/span><\/a><\/td>\n<\/tr>\n<tr>\n<td><strong>The Differences between Plato&#8217;s Republic and Thomas More&#8217;s Utopia<\/strong><\/p>\n<p>\u00d6zben TUNCER<\/td>\n<td><a href=\"\/wp-content\/uploads\/2020\/03\/ijmcl_v5i01004.pdf\" class=\"su-button su-button-style-default\" style=\"color:#FFFFFF;background-color:#2D89EF;border-color:#246ec0;border-radius:5px;-moz-border-radius:5px;-webkit-border-radius:5px\" target=\"_self\"><span style=\"color:#FFFFFF;padding:6px 16px;font-size:13px;line-height:20px;border-color:#6cadf4;border-radius:5px;-moz-border-radius:5px;-webkit-border-radius:5px;text-shadow:none;-moz-text-shadow:none;-webkit-text-shadow:none\"><i class=\"sui sui-file-pdf-o\" style=\"font-size:13px;color:#FFFFFF\"><\/i> PDF<\/span><\/a><\/td>\n<\/tr>\n<tr>\n<td><strong> RELATIONSHIPS AFFECTED BY POSTCOLONIAL SOCIAL NORMS IN HANIF KUREISHI\u2019S \u2018WITH YOUR TONGUE DOWN MY THROAT<\/strong><\/p>\n<p>Tomris KARDE\u015e<\/td>\n<td><a href=\"\/wp-content\/uploads\/2020\/03\/ijmcl_v5i01005.pdf\" class=\"su-button su-button-style-default\" style=\"color:#FFFFFF;background-color:#2D89EF;border-color:#246ec0;border-radius:5px;-moz-border-radius:5px;-webkit-border-radius:5px\" target=\"_self\"><span style=\"color:#FFFFFF;padding:6px 16px;font-size:13px;line-height:20px;border-color:#6cadf4;border-radius:5px;-moz-border-radius:5px;-webkit-border-radius:5px;text-shadow:none;-moz-text-shadow:none;-webkit-text-shadow:none\"><i class=\"sui sui-file-pdf-o\" style=\"font-size:13px;color:#FFFFFF\"><\/i> PDF<\/span><\/a><\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>\u0130STANBUL AYDIN \u00dcN\u0130VERS\u0130TES\u0130 INTERNATIONAL JOURNAL OF MEDIA CULTURE AND LITERATURE IJMCL HAZ\u0130RAN 2019 ISSN: 2149-5475 e-ISSN:&#8230;<\/p>","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/ijmcl.aydin.edu.tr\/en\/wp-json\/wp\/v2\/pages\/1003"}],"collection":[{"href":"https:\/\/ijmcl.aydin.edu.tr\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ijmcl.aydin.edu.tr\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ijmcl.aydin.edu.tr\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/ijmcl.aydin.edu.tr\/en\/wp-json\/wp\/v2\/comments?post=1003"}],"version-history":[{"count":4,"href":"https:\/\/ijmcl.aydin.edu.tr\/en\/wp-json\/wp\/v2\/pages\/1003\/revisions"}],"predecessor-version":[{"id":1014,"href":"https:\/\/ijmcl.aydin.edu.tr\/en\/wp-json\/wp\/v2\/pages\/1003\/revisions\/1014"}],"wp:attachment":[{"href":"https:\/\/ijmcl.aydin.edu.tr\/en\/wp-json\/wp\/v2\/media?parent=1003"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}